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Nepali Statue Of Medicine Buddha, Partly Gold Plated, Painted Face

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Seller From : Nepal

Nepali Statue Of Medicine Buddha, Partly Gold Plated, Painted Face

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HS-HME22282

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NPR 117,331.59

Nepali Statue Of Medicine Buddha, Partly Gold Plated, Painted Face code: HME22282 Weight : 5.43 Kg(s) size :32x22x15 Cm

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Seller	Handmade Handicraft [10982]
Product Tags	Handmade, Handicraft, Craft, Statue, Idol, Sculpture, Gold Plated, Buddha, Meditation Buddha, Sitting Buddha, Medicine Buddha, Medicine Buddha with Real Stone
Seller Continent	Asia
Seller State	Bagmati Province
UK Size	4
Seller	Admin
Seller District	Kathmandu

Handmade Handicraft

Seller Countries: Nepal

Nepali Statue Of Medicine Buddha Partly Gold Plated Painted Face

Weight: 5.43 kg
Size: 32x22x15 cm
Material: Copper Gold Plated

About the Product

Face: Gold Painted

Protecting the Face
As the face is painted it is highly recommended that the face of the statue is to be greatly taken care of as it requires a very professional and skilled face artist to repair the face of dirt and damages. Commonly to protect it from damage the statue with painted face is placed under a glass box and it is always covered with a cotton face mask if it has to be moved

Video of Face Painting

Finishing: Partly Gold Plated

Detailed Description of Mercury Gilding - Source wikipedia
Fire-gilding or Wash-gilding is a process by which an amalgam of gold is applied to metallic surfaces the mercury being subsequently volatilized leaving a film of gold or an amalgam containing 13 to 16% mercury. In the preparation of the amalgam the gold must first be reduced to thin plates or grains which are heated red-hot and thrown into previously heated mercury until it begins to smoke. When the mixture is stirred with an iron rod the gold is totally absorbed. The proportion of mercury to gold is generally six or eight to one. When the amalgam is cold it is squeezed through chamois leather to separate the superfluous mercury; the gold with about twice its weight of mercury remains behind forming a yellowish silvery mass with the consistency of butter.

When the metal to be gilded is wrought or chased it ought to be covered with mercury before the amalgam is applied that this may be more easily spread; but when the surface of the metal is plain the amalgam may be applied to it directly. When no such preparation is applied the surface to be gilded is simply bitten and cleaned with nitric acid. A deposit of mercury is obtained on a metallic surface using quicksilver water a solution of mercury(II) nitrate the nitric acid attacking the metal to which it is applied and thus leaving a film of free metallic mercury.

The amalgam is equally spread over the prepared surface of the metal the mercury is then sublimed by heat just sufficient for that purpose; for if it is too great part of the gold may be driven off or it may run together and leave some of the surface of the metal bare. When the mercury has evaporated which is known by the surface having entirely become of a dull yellow color the metal must undergo other operations by which the fine gold color is given to it. First the gilded surface is rubbed with a scratch brush of brass wire until its surface is smooth.

It is then covered with gilding wax and again exposed to fire until the wax is burnt off. Gilding wax is composed of beeswax mixed with some of the following substances: red ochre verdigris copper scales alum vitriol and borax. By this operation the color of the gilding is heightened and the effect seems to be produced by a perfect dissipation of some mercury remaining after the former operation. The gilt surface is then covered over with potassium nitrate alum or other salts ground together and mixed into a paste with water or weak ammonia. The piece of metal thus covered is exposed to heat and then quenched in water.

By this method its color is further improved and brought nearer to that of gold probably by removing any particles of copper that may have been on the gilt surface. This process when skillfully carried out produces gilding of great solidity and beauty but owing to the exposure of the workmen to mercurial fumes it is very unhealthy. There is also much loss of mercury to the atmosphere which brings extremely serious environmental concerns as well.

This method of gilding metallic objects was formerly widespread but fell into disuse as the dangers of mercury toxicity became known. Since fire-gilding requires that the mercury be volatilized to drive off the mercury and leave the gold behind on the surface it is extremely dangerous. Breathing the fumes generated by this process can quickly result in serious health problems such as neurological damage and endocrine disorders since inhalation is a very efficient route for mercuric compounds to enter the body. This process has generally been supplanted by the electroplating of gold over a nickel substrate which is more economical and less dangerous.

Fire Gold Plating In Nepal

Making Process: Lost-Wax System

Medicine Buddha: Brief Introduction

Bhaisajyaguru is known as Medicine Buddha. He is also called the healing Buddha. He is said to dispense spiritual medicine when properly worshiped. It is even believed that an efficacious cure may be accomplished by merely touching the image. In Tibet he may be represented either as a buddha or as a Bodhisatwa. As a buddha he has the urn (small round bulge or protuberance above the bridge of the nose) the fourth superior marks of a buddha Ushinisha (A Buldge of protuberance in the skull of the buddha the first superior marks of a buddha ) short and curly hair. He wears a monastic robe is seated with the legs crossed. His left hand lying in his lap in meditation mudra usually holds the medicine bowl while the right hand in charity mudra hold either a branch with fruit or the fruit alone of the myrobalan as medicinal plant found in India and other tropical countries.IconographyMedicine Buddha is the popular term for Bhaisajyaguru and refers to healing blue light transmitted by his representation and conception. Bhaisajyaguru means "Master of Blue Light". His healing energy is transmitted through blue light wave length called Vaydurya light. Medicine Buddha radiates this healing energy. Think of the light as internal chakra energy. The colour blue has been known for its purifying properties since ancient times and the deep blue colour of the Medicine Buddha is directly associated with this blue Vaydurya light energy. The energy source originates in the transparent beryl crystal bowl the Medicine Buddha supports and manifests itself in the deep blue of Lapis Lazuli [Lapis] of his corporeal body. The goldenergy lines [Skt. Chritrini] of his psychic body link all the yogic "vital airs" or energy winds [Skt. Vayus] and form the Beryl healing light energy beryl blue band of the inner aureole representing all the vital airs [Skt. Vyana] of the subtle body [Skt. Pranamayakosha]. As we journey through life we can find ourselves suffering through illness or through the illness of someone else. During illness previous priorities seem almost irrelevant as we seek to restore our balance or to find a new balance in our lives. Suddenly the medicine Buddha who is often overlooked becomes the most important of all while we realise our oversight. The image of the medicine Buddha can be used as a meditation deity [Skt. Ishta-devata] texts often call a meditation deity a Tutelary Deity or a Yidam Deity. A Yidam is the Tibetan word for an Ishtar-devata a fully enlightened being who is the focus of personal meditation during a retreat or for life. Deity Yoga practices can be undertaken. In essence the mindstream of the guru and the yidam are indivisible. The yidam is considered to be the root of success in the practice. Visualise his serenity & healing light.

His extended left hand with an open front palm is shown in gift bestowing [Skt. Varada] hand gesture [Skt. Mudra] and holds the stem of a triple fruited myrobalan plant between his thumb & forefinger. In Tibetan medicine the myrobalan plant is known as the 'King of Medicines' on account of its medicinal properties. The gift bestowing hand gesture represents his dispensing of healing and holds a myrobalan plant bearing three myrobalan fruits. The number three refers to Principle of Three Gunas which are Energy [Skt. Rajas] Inertia/Movement [Skt. Tamas] & wholeness or bodily order [Skt. Sattwa] When balanced we enjoy good health when unbalanced illness can arise. Our bodies have a remarkable ability to rebalance if we allow them in a process known as homeostasis directly linked to the principle of the Gunas. Unbalancing can occur when the moon residing at the naval root absorbs too much form the sun at the palette root which relates to too much sensual indulgence with the and the nectar of the moon is.

The right hand of Medicine Buddhas rests upon his lap in the position associated with an advanced connection with the inner self arrived at through meditation commonly called the meditative state. The same hand supports a blue beryl crystal alms bowl containing medicinal nectar and a myrobalan fruit. He is portrayed wearing maroon monastic robes painted seated on a white moon disc in a lotus body position [Skt. Padmasana] and upon an actual lotus flower. Magical Buddhism [Tantric Buddhism] is very connected with Although more commonly linked to Vedic Yoga. CommentaryThis is why the ideas in Patanjali's Yoga Sutra are so closely connected with the Buddhist Principle of The Four Noble Truths and on gaining the liberated path. There are many other connections with Yoga such as the tantric gold energy lines [Skt. Chitrini] the lotus and chakras and in the choice of colours of aureoles. Perhaps most obvious is the classic yoga lotus asana with one leg crossed over the other that the Medicine Buddha is sitting in. The wisdom of Devata Yoga will help.

Matra of Medicine Buddha

namo bhagavate bhaiśajyaguru vaidūryaprabharājāya tathāgatāya arhate samyaksambuddhāya tadyathā: oṃ bhaiśajye bhaiśajye bhaiśajya-samudgate svāhā.

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Nepali Statue Of Medicine Buddha, Partly Gold Plated, Painted Face

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Nepali Statue Of Medicine Buddha, Partly Gold Plated, Painted Face

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